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Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall
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Review
“[A] riveting and inspiring history of punk’s hard-fought struggle in East Germany. The book chronicles, with cinematic detail, the commitment and defiance required of East German punks as they were forced to navigate constant police harassment and repression.” —The New York Times Book Review “A thrilling and essential social history that details the rebellious youth movement that helped change the world.” —Rolling Stone “Burning Down the Haus deftly chronicles the formation of East Germany’s punk scene within a fragmented country under constant monitoring by a secret police agency, the Stasi. This is a work that encapsulates a particular musical world but, more crucially, shows how the society around it shaped the scene in idiosyncratic ways.” —Pitchfork “Wildly entertaining . . . A thrilling tale . . . A joy in the way it brings back punk’s fury and high stakes.” —Vogue “Gripping.” —Billboard “The new book Burning Down the Haus fastidiously traces the self-discovery of punks in the socialist dictatorship of East Germany, and the violence and repression they endured on the way to freedom.” —NPR “Burning Down the Haus is a gripping, powerful story of self-expression in the face of adversity . . . We can see echoes of the time it describes in groups like Pussy Riot, who risk imprisonment and possible assassination in President Vladimir Putin’s Russia. The story of East German punk is one of rock and roll’s greatest unheard tales of courage. Or it was until Tim Mohr came along.” —The Houston Chronicle “Remarkable . . . revelatory . . . amazing.” —Longreads “Original and inspiring . . . Mr. Mohr has written an important work of Cold War cultural history.” —The Wall Street Journal “Mohr takes readers on a fascinating trip through the 1980s, focusing on East German teenagers that embraced the punk lifestyle and ultimately would play a role in the fall of the Berlin Wall. Mohr is a great storyteller and manages to make history read like you are there directly witnessing it.”—The Hype Magazine “What makes this book such a fascinating read is that Mohr has recreated the period almost as an oral history . . . it also brings the era and the reality of the times to life beautifully. Burning Down the Haus not only dispels the myth that the West and capitalism were responsible for bringing down the Berlin Wall, it also provides the example of how the oppressed can effect change from the bottom up – something as pertinent today as it was in East Germany in the 80s. This is a beautifully written and important book about the power of ordinary people to make a difference and how punk is more than just a type of music.” —Blogcritics.com “Mohr pens an inspiring history of a punk scene that literally tore down a symbol of division and oppression.” —Library Journal “Lively . . . Compelling . . . A front-row seat to the events of the ’80s. This take on punk evolution is engaging, enlightening, and well worth checking out.” —Publishers Weekly, starred review “Translator, editor, and former Berlin DJ Mohr energetically details the origins of East German punks . . . Mohr tells a frantic and exciting true story of music versus dictatorship, and the infamous wall it helped bring down.” —Booklist, starred review “An appealing, lively cultural history worth reading in an era of corporate punk nostalgia.” —Kirkus Reviews “Incendiary . . . Compulsively readable and beautifully researched, Burning Down the Hausrecords the critical role that punks played in the German resistance movements of the 1980s, up to and beyond the fall of the Berlin Wall in 1989 . . . inspiring.”—BookPage “Mohr takes readers on a fascinating trip through the 1980s, focusing on East German teenagers that embraced the punk lifestyle and ultimately would play a role in the fall of the Berlin Wall. Mohr is a great storyteller and manages to make history read like you are there directly witnessing it.”—The Hype Magazine“Burning Down the Haus stands as a testament to the DIY ethos as a response to oppression, which, in this day and age, may be exactly what American society needs.”—Harvard Crimson “Burning Down the Haus is not just an immersion into the punk rock scene of East Berlin, it’s the story of the cultural and political battles that have shaped the world we live in today. Tim Mohr delivers the soundtrack for the revolution that we’ve all been waiting for.”—DW Gibson, author of The Edge Becomes the Center: An Oral History of Gentrification in the Twenty-First Century “In East Germany, where non-conformity meant jail time, punks’ ripped clothes and spiked hair were a show of courage and defiance. Squatting in derelict apartments and burning their lyrics before the secret police could get ahold of them, these teenagers wrote the soundtrack for a rebellion that helped bring down the Berlin Wall. Tim Mohr tells the story of their DIY revolution with the thoroughness of a historian and the panache of a cultural insider. Burning Down the Haus is a riveting cultural history that also serves as a rallying call against authoritarianism everywhere.”—Ruth Franklin, author of the NBCC Award-winning Shirley Jackson: A Rather Haunted Life “Equal parts terrifying and exhilarating, Burning Down the Haus is a fabulously alive history of punk rock behind the Iron Curtain, where simply dressing like a punk could get you hauled in by Stasi, the dreaded East German secret police. Mohr ties the fearless music-driven resistance to authoritarianism and mass surveillance in the 1980s to our current fraught times, showing how even the most formidable forms of oppression can be shaken by highly motivated, creative kids with riotous rage and a driving beat. A thrilling, inspiring read.”—Rob Spillman, editor of Tin House and author of All Tomorrow’s Parties “You say you want a revolution? Tim Mohr’s spellbinding Burning Down the Haus reveals how a bunch of young East German punks in the 1980s made their wild music into a clarion loud enough to topple the Berlin Wall. With a sharp eye for the prosaic brutality of the repressive state and an ear locked on the furies in the music, Mohr has crafted an unforgettable story that is part cultural history, part political thriller and entirely true.”—Peter Ames Carlin, author of Homeward Bound: The Life of Paul Simon “Berlin has always been a crazy city, and a dramatic stage for the epic struggle between powerful ideological forces and the individual desire to be free. In case you weren’t sure just how political music, fashion, and a certain attitude can be: read this book. Burning Down the Haus is wonderful.” —Norman Ohler, author of Blitzed “This is a crazily inspiring, strange, beautiful story that deserves to be remembered, and Mohr is a wonderfully compassionate writer. What a combination!” —Johann Hari, New York Times bestselling author of Chasing the Scream and Lost Connections “The best punk book since Please Kill Me.”—Legs McNeil, author of Please Kill Me: The Uncensored Oral History of Punk “Tim Mohr’s book details a fascinating period of time in the history of punk music. I am so glad he documented that moment in history for punk rock and for the world.” —Greg Graffin, singer/songwriter for Bad Religion and author of Population Wars and Anarchy Evolution “The true story of how teenage kicks turned into political opposition. With meticulous research and impassioned prose, Tim Mohr brings to life the saga of a bunch of East German punk rock kids who broke the state that wanted to break them. A book to warm an old punk’s heart.”—Claire Dederer, author of Love and Trouble PRAISE FOR THE GERMAN EDITION OF BURNING DOWN THE HAUS “A wonderful book.”—Berliner Zeitung “A historical drama that takes your breath away.”—Neustadt-Gefluester (Dresden) “Mohr digs into the subject of East German punk like nobody before.”—Rolling Stone Germany “Cinematic...Makes the reader feel a witness to the events . . . A lively, enthralling adventure story; the tone combines a dramatic Hollywood epic with a meticulous documentary.”—Falter (Vienna) “You get taken in quickly, and just as quickly you have a lively image of the situation . . . The storytelling style is like having a movie in your head.”—Lutz Schramm (German radio personality) “A wonderful, atmospheric look at a hidden world.”—Classic Rock
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About the Author
Tim Mohr is an award-winning translator of authors such as Alina Bronsky, Wolfgang Herrndorf, and Charlotte Roche. He has also collaborated on memoirs by musicians Gil Scott-Heron, Duff McKagan of Guns N’ Roses, and Paul Stanley of KISS. His own writing has appeared in the New York Times Book Review, New York Magazine,and Inked, among other publications, and he spent several years as a staff editor at Playboy magazine, where he edited Hunter S. Thompson, John Dean, and Harvey Pekar, among others. Prior to starting his writing career he earned his living as a club DJ in Berlin.
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Product details
Hardcover: 384 pages
Publisher: Algonquin Books (September 11, 2018)
Language: English
ISBN-10: 1616208430
ISBN-13: 978-1616208431
Product Dimensions:
6.2 x 1.4 x 9.1 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#303,889 in Books (See Top 100 in Books)
Talk about youth against fascism!This book is about how punk changed, both itself, its listeners, and mainly East Germany around the late 1970s up to the 1990s. It takes the reader on a journey of personal fulfillment through youth in a dictatorship, which is what East Germany was at the time. Honecker‘s Germany, along with Stasi, was merely a gentler version of super-fascist Nazi Germany, which fit the glove for precisely what punk counteracts.From the book, which kind of sets the tone:"The first song they put together was called “Überall wohin’s dich fährt,†or “Wherever You Go.†Lade wrote it.Wherever you goYou’re asked for IDIf you say a false wordYou know what happens nextIt doesn’t matter where you lookCameras are everywhereAccompanying you step for step“Security†always follows youYou speak your mind openlyAnd what will happen?You can only hopeSomething has to happenWho wants to stand around passively? Were you really bornTo be subordinate to it all?"Observations like that were the sort of thing that got people sent to jail. The members of the band knew that. But as far as Pankow was concerned, this was the logical next step. He knew the country was ****** up and wanted to do something about it."East Germany in the 1970s was a beast of its own; self-contained, censored, and highly punished by means of brutal paranoia due to how Stasi run, and how people turned into informants."One of the most momentous decisions in the history of the DDR was made in a matter of minutes on February 8, 1950, during a meeting of the as yet provisional People’s Council: the founding of a Ministry of State Security, or Ministerium für Staatssicherheit. The first few letters of the two constituent parts of the final word—Staat and Sicherheit—lent the ministry the name the world would come to know and dread: the Stasi. By the mid-1950s the Stasi already had 16,000 employees, more than Hitler’s Gestapo had employed in a unified Germany with five times as many inhabitants as East Germany; by 1952 the Stasi had also recruited 30,000 informants. Both of those numbers would continue to rise steeply.Who can’t love and recognise a scene like this?""At the beginning of the school year in September 1977, Britta’s sister gave her a stack of photos and pullout posters she’d amassed from the precious West German teen magazines her father brought her—images of ABBA, Boney M, Smokie, the cheesy chart toppers and heartthrobs of the day. As Britta leafed through the images, she suddenly stopped at one. It was a black-and-white shot of a band called the Sex Pistols. What the **** is this, she wondered, fascinated by their ripped clothes and sneering faces."If you’re wondering how draconian the Stasi methods of reasoning were, check this out as just a tiny example:"East German punks had already perfected the art of confrontation. A few had even started to play with Nazi imagery—the ultimate taboo in a country explicitly founded on anti-Nazi ideology. Faced with ever more brutal treatment by the police, some punks wore yellow star patches, making reference to the patches the Nazis forced Jews to wear. Others wore red armbands with white crosses on them and the word chaos written in black on the cross, meant to make people look twice because of its similarity to the armbands worn by Hitler’s SA and SS. Then the authorities spotted some public graffiti they found particularly disturbing: ddr=kz, meaning East Germany = a concentration camp. A punk named Spion had spray-painted the slogan. He was the singer in a garage band called Ahnungslos, or Clueless. In the course of investigating the graffiti, the police also found drafts of Spion’s song lyrics, and he was thrown into prison for a year."One of Tim Mohr’s good things as an author is his forté where it comes to merely place things simply, and let the reader dip into everything and discover things for ourselves. His style made me curious to read on, and I dig the way he unveiled the different main characters."On January 27, 1982, China, a punk who had been at Major’s trial back in 1981, was arrested, subjected to multiple strip searches and body cavity searches, and placed in pretrial detention for five weeks. The charge, according to the arrest warrant: she had distributed a total of twenty hand-typed statements saying, among other things, that she lived in a “mousetrap†where “no freedom of opinion existed.†The statements, it turned out, were from her diary. She was sixteen."This book provides a lot of atmosphere, air, good writing—and is altogether a great reminder that, yes, revolution is possible whenever and wherever.
Wow! Will someone please make a documentary from this. This is an amazing story of 2 generations of young kids taking on the East German system. Music is the spark that leads to the full on revolution that includes all parts of society. From the first generation being beaten up and imprisoned to the last generation being able to get visas to play Poland and West Germany the story is unbelievable. Where everyone had an alias and lived in a squat and had to keep a job...any job. It is raucous violent world and revolution is the key. Dying to hear the music and see the bands and hope the motivate their counterparts in Iran and North Korea to stand up and be heard.
This was a fun non-fiction book! It told the true story of punks in East Berlin during the Cold War and how they tried to take down the government from the inside. It shared insight into their political activism and the dangers they often faced. It was interesting to see it from the American side and how they lived and survived, and the idea of To Much Future kept popping up. I can't imagine having my life controlled to that extent and I enjoyed their arguments. I was after the wall came down and didn't live through that time frame so it was good to learn!
Very interesting book. I highly recommend if you like punk rock and history!
Would have been five stars if not for the intermittent "things are just as bad here in the good ol' U.S. of A, mannnnn" editorializing.
As someone with almost no prior knowledge of punk rock, I loved this book. And, it's laser focus and biographical stories of the folks who formed this movement leads me to believe it would be a fun read even for someone who knows a lot about the topic. It's a compelling story told with compassion, wit and depth. And let's face it: knowing about punk rock in Berlin makes you sound smart and cool at parties. Highly recommend!
A great shocker of a book about a revolutionary movement that was mostly unknown to the West, written by a deft writer who not only extensively researched it, but lived it, worked as a DJ in Germany, and loved to cover punk rock songs including Black Flag. A work of love and passion that is self-evident as you dive into the book.
Tim Mohr deftly weaves a stark, compelling narrative about the underground punk rock scene in Germany in the 1980s and its significant role in helping to bring down the repressive East German government, with its ever-intrusive Stasi (secret police) agents and informants. The badass punk musicians at the heart of Burning Down the Haus built guitar amps out of old radios, squatted in buildings for practice spaces and forged unlikely alliances with Lutheran churches, longhaired environmentalists and antiwar activists to create a unique political movement that eschewed Cold War orthodoxies in the East and West.
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